1979           Whitney Museum of American Art, New York, Independent Study Program
1978           School of Visual Arts, New York
1974-77      Middlebury College, Middlebury, Vermont, BA


2016           Julia Wachtel, Vilma Gold, London
2015           Empowerment, Elizabeth Dee Gallery, New York
2014           Cleveland Musuem of Art, Cleveland, curated by Reto Thuring
                   Bergen Kunsthall, Bergen Norway, curated by Steinar Sekkingstad
                   Elizabeth Dee Gallery, New York, with Ericka Beckman
2013           Vilma Gold Gallery, London
2011           Kathleen Cullen Gallery, New York
2002           Edward Thorp Gallery, New York
1998           Galerie Georges-Phillipe et Nathalie Vallois, Paris
1997           Sandra Gering Gallery, New York, "New Paintings"
1995           Crypte de l'Eglise del'Assomption, Rosnay-L'Hopital, France
                   Eglise de Aumenancourt, Marne, France
                   Passages, Centre d'Art Contemporain, Troyes, France (exh. cat.)
                   Gallerie Georges-Philippe Vallois, France
1993           American Fine Arts, New York
1992-93      University of Missouri - Kansas City Gallery of Art
1991           Galerie Faust, Geneva, Switzerland, "Julia Wachtel" and "Haim Steinbach"
                   Museum of Contemporary Art, Chicago, "Options 41" (exh. cat.)
                   American Fine Arts, New York
1990           Carl Solway Gallery, Cincinnati, Ohio
                   Galerie Georges-Philippe Vallois, Paris, "Julia Wachtel" and "Peter Nagy"
1989           Diane Brown Gallery, New York (exh. cat.)
1988           Diane Brown Gallery, New York
                   Nature Morte Gallery, New York
1987           Diane Brown Gallery, New York
1985           Diane Brown Gallery, New York
                   Nature Morte Gallery, New York
1984           Nature Morte Gallery, New York
1983           C.U.N.Y. Graduate Center Mall, New York, "Social Conquest"
                   (collaboration with Haim Steinbach)
1981           Fashion Moda, Bronx, New York, "Relations of Absence"


2017           Hirshorn Museum and Sculpture Garden, Washington DC, "Too Much Is Not Enough: Art and Commodity in the 80s"
                   Whitney Musuem of Amaericn Art, New York, "Fast Forward: Painting from the 80s", curated by Jane Panetta with Melinda
                   Lang curatorial Assistant
                   Maruani Mercier Gallery, Brussels, "Man Alive", curated by Wendy White
2016           Le Consortium, Dijon, France, "Almanch 16"
                   Walker Art Center, Minneapolis, "Ordinary Pictures," curated by Eric Crosby
                   The Utah Museum of Contemporary Art, Salt Lake City, "Ideologue"
                   Saatchi Gallery, London, "Champagne Life"
                   Cinncinnati Art Museum, Cinncinnati, Ohio, "Not in NewYork: Carl Solway and Cinncinnati: Highlights of 20th Century Art"
2015           White Columns, NYC, "Gallery 30 / 130: Thirty Years of Books and Catalogs, etc. Bob Nickas"
                   Algus Greenspon, NYC, "The Shadow is Taken"
                   Room East, NYC, "The Crack Up"
                   Zabriskie Point, Geneva, Switzerland, curated by Laure Marville, Roxane Bovet, Yoan Mudry
                   Armada, Milan, Italy, "Venganza (I don't want to be friends)", curated by Gea Politi
                   Zabludowicz Collection, London "20 Years of Collecting: Between Discovery and Invention"
                   Migros Museum, Zurich, CH, "Toys Redux - On Play and Critique", curated by Raphael Gygax and Judith Welter (catalogue)
                   The Cleveland Museum of Art, Cleveland Ohio, "Fresh Prints: The Nineties to Now"
                   Gavin Brown's Enterprise, NYC, "Call and Response"
2014           Galerie Catherine Bastide, Brussels, ".../ Forever Young," curated by Marie Degaulejac
2013           Elizabeth Dee Gallery, NYC, "Post Culture"
                   Spiritmuseum, Stokholm, Sweden, curated by Finbar Krook Rosato, Selections from Absolut Collection
                   The Artist's Institute, NYC, curated by Haim Steinbach
2012           Institute for Contemporary Art (ICA), London, "Remote Control"
                   FRAC Poîtou-Charentes, Angoulême, France, "Face a Face"
                   Kunsthalle, Bern, Switzerland, "The Old, the New, the Different," curated by Fabrice Stroun
                   Kathleen Cullen Gallery, NYC, "Desperately Seeking Susan"
2011           Art & Public - Cabinet, Geneva, Switzerland, "Situation New York 1986"
                   Vilma Gold Gallery, London, "The Great White Way Goes Black"
                   Carriage Trade, NYC, "Social Photography" curated by Peter Scott
2010           Kathleen Cullen, NYC, "Iteration No.2," curated by James Hyde
                   Carriage Trade, NYC, "Cult of Personality," curated by Peter Scott
2009           Le Magasin, Grenoble, France, "Images et (Re)Presentation"
                   Gallerie Georges-Philippe & Natalie Vallois, Paris
2004           Cheim & Read Gallery, NYC, "I am the Walrus," curated by Jan Avgikos
2001           W Exhibition, the Musee des Beaux-Arts, Dole, France, curated by Robert Nickas and
                   Vincent Pecoil, (exh. catalog)
2000           Edward Thorp Gallery, New York
1999           The Bronx Museum of the Arts, "Urban Mythologies: The Bronx Represented"
                   Since the 1960's", curated by Lydia Yee, (exh.catalog)
                   Liverpool Biennial, Liverpool, England, "Artlovers", curated by Marcia Fortes, (exh. Catalog)
                   Art & Public, Geneva, Switzerland, "Sweet & Sour"
                   Carl Solway Gallery, Cincinnati, OH, "Text & Signifier"
                   Louvre, Museum of the Applied Arts, Paris, Absolut Collection
1998           Galerie Für Zeitgenössische Kunst, Leipzig, Germany, "Weather Everything", curated by Eric Troncy
                   Rotunda Gallery, Brooklyn, "Interpreting"
                   Edinburgh International Art Festival, Edinburgh College of Art, Scotland, "I Love New York"
1996           Basilico Fine Arts, New York, "Can we talk?"
1995           Neue Galerie am Landesmuseum, Graz, Austria, "Pittura Immedia,"
                   Peinture, Photo et Cie. Les rencontres d'Arles, France, (exh. cat.)
1991           fiction/non fiction, New York, "Painting Culture"
                   Genovese Gallery Annex, Boston
                   Rena Bransten Gallery, San Francisco
1990           Andrea Rosen Gallery, New York, "Stendahl Syndrome: The Cure" (exh. cat.)
                   Le Consortium, Dijon, France, "le choix des femmes"
                   Simon Watson Gallery, New York, "Total Metal" (exh. cat.)
                   Massimo Audiello Gallery, "The Last Laugh"
                   Wright State University, the University Art Galleries, "Assembled: Works of Art Using
                   Photography as a Construction Element" (exh. cat.)
1989           Greenville County Art Museum, Greenville, North Carolina
                   Turon Travel, Inc., New York, "Jet Lag"
                   Achim Kubinski, Stuttgart, West Germany (exh. cat.)
                   Robbin Lockett Gallery, Chicago, "Ian Hamilton Finlay, Mitchell Kane, Julie Wachtel"
                   Jersey City Museum, Jersey City, New Jersey, "The Mirror in Which Two Are Seen as One"
                   The School of Visual Arts Gallery, New York, "Dream Reality" (exh. cat.)
1988           Hans Meyer Gallery, Dusseldorf, Germany, "Works Concepts Processes Situation Information" (exh. cat.)
                   Graeme Murray Gallery, Edinburgh, Scotland
                   121 Art Gallery, Antwerp, Belgium
                   Scott Hanson Gallery, New York, "Media Post-Media" (exh. cat.)
                   The Brooklyn Museum, Brooklyn, New York, "Appropriation and Syntax: The Uses of
                   Photography in Contemporary Art"
                   Scott Hanson Gallery, New York
1987           Margo Leavin Gallery, Los Angeles, "Nothing Sacred"
                   Los Angeles County Museum of Art, Los Angeles, "Avant-Garde in the Eighties" (exh. cat.)
                   The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut, "Post-Abstract Abstraction" (exh. cat.)
                   Galerie Pierre Huber, Geneva, Switzerland, "The Art of the Real" (exh. cat.)
                   Knight Gallery, Charlotte, North Carolina, "Romance"
                   Institute of Contemporary Art, London, "Comic Iconoclasm" (exh. cat.)
                   Hillwood Art Gallery, Long Island University/C.W. Post Campus, Greenvale, New York,
                   "Perverted by Language" (exh. cat.)
                   Barbara Toll Fine Arts, New York, "Monsters: The Phenomena of Dispassion"
1986           S.L. Simpson Gallery, Toronto, Canada, "Ultrasurd" (exh. cat.)
                   American Fine Arts Co., Colin de Land Fine Art, New York
                   Bess Cutler Gallery, New York, "When Attitudes Become Form"
                   Bard College, Annadale-on-Hudson, New York, "The Ready Made Painted"
                   Metro Pictures, New York
                   Nature Morte Gallery, New York
1985           Artists Space, New York, "Split Vision" (exh. cat.)
                   Daniel Newburg Gallery, New York, "Persona Non Grata"
                   Texas Gallery, Houston, "Infotainment" (exh. cat.) (traveled to Rhona Hoffman Gallery, Chicago;
                   Vanguard Gallery, Philadelphia; Aspen Art Museum, Aspen, Colorado; De Selby Gallery,
                   Amsterdam, the Netherlands; Galerie Montenay Del Sol, Paris)
                   Whitney Museum of American Art, New York, "1985 Biennial Exhibition," as part of Group Material " Americana" (exh. cat.)
                   Saidye Bronfman Centre, Montreal, Canada, "East Village"
1984           University Art Museum, Univ. of California at Santa Barbara, "Neo York: Report on a Phenomenon" (exh. cat.)
                   L.A.C.E. Gallery, Los Angeles, "Emblem"
                   Institute for Contemporary Art, P.S. 1, Long Island City, New York,
                   Group Material, "Timeline of Intervention in Central America"
                   Artists Space, New York, "Hundreds of Drawings"
                   Center Gallery, Bucknell University, Lewisburg, Pennsylvania:
                   Sardoni Art Gallery, Wilkes College, Wilkes-Barre, Pennsylvania, "Contemporary Perspectives"
1983           Hallwalls Contemporary Art Center, Buffalo, New York (exh. cat.)
                   Brooklyn, New York, "Terminal Show/Preparing for War"
                   Subway Ad Spaces, New York, Group Material, "Subculture"
                   Latino Space, Group Material, "Revolutionary High Art"
1982           The Drawing Center, New York, "Fifth Anniversary Exhibition" (exh. cat.)
1981           Bus System, New York, Group Material, "M5 Show"
                   Artists Space, New York, "Selections" (exh. cat.)
                   New York, Group Material, "Gender Show"
                   Drawing Center, New York: "Selections 14"
1979           Institute for Contemporary Art, P.S.1, Long Island City, New York, "Film / Audio Installation"


                    The Museum of Modern Art, New York
                    Whitney Museum of American Art, New York
                    Brooklyn Museum, New York
                    The Cleveland Museum of Art
                    The Museum of Contemporary Art, Los Angeles
                    Fonds Régional d'Art Contemporain, Région Basse Normandie (FRAC-BN), Caen
                    The Progressive Corporation
                    Absolut Collection
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