| 2024 |
“50 Paintings,” Milwuakee Museum of Art, Milwuakee, WI, co-curated by Margaret Andera, and Michelle Grabner
“Bozzetto,” Peles Duo, Berlin, Germany
“Relay,” Galerie Noah Klink, Berlin, Germany
Billboard project, “Wildlife Rescue (wrapped), Meyer Riegger, Berlin, Germany
“A Modern Disease like Jet Lag,” 246 W Broadway, NYC, curated by Cooper Brovenick |
| 2023 |
“Focus Group 4”, Von Ammon Co. , Washington D.C.
“Pictures & After”, Musée d’art moderne et contemporain (MaMCO) Geneva, Switzerland
“Future Shock”, Lisson Gallery, NYC |
| 2022 |
“Une Nouvelle Aube”, MAMCO, Musee D’Art Moderne et Contemporain, Geneva, Summer 2022
“Broken Piñata” L21 Gallery, Majorca, Spain
“Off Kilter”, Michael Benevento Gallery, Los Angeles, curated by Bob Linder |
| 2021 |
“The Sum of All Parts”, MoMA, NYC
“The 80s”, The Albertina Modern museum, Vienna
The Phillips Collection museum, Washington D.C.y 2022.
“F#%k U & ur DisNey”, SuperDakota gallery, Brussels
K as in Knight”, Helena Anrather Gallery, New York |
| 2020 |
“The Secret History of Everything” Perrotin Gallery, New York
“World Peace”, Museum of Contemporary Art Westport, CT
100 Sculptures, No Gallery, travelling exhibition
“Private Eyes: American Postmodern Art” KODE Art Museum, Bergen, Norway
“Passing Time”, online show organized by curator Neville Wakeflied.Cecilia Bengolea and
Alex Perweiler |
| 2019 |
“The Sorcerer’s Burden”, The Contemporary Austin, Austin
“Think about all the James Deans and what it means”, Super Dakota Gallery, Brussels,
“Paradise”, Westport Art Center, Wesport, CT
“Mature Themes”, Foxy Production, New York
“Brand New, Art and Commodity in the 1980’s”, The Hirshhorn Museum and Sculpture Garden, Washington D.C.
“Open House: Elliot Hundley”, Museum of Contemporary Art, Los Angeles
“été pourri peinture fraiche” , FRAC Champagne-Ardenne, Reims, France
“Focus Group”, Von Ammon Co gallery, Washington, D.C. |
| 2017 |
“Fast Forward: Painting from the 1980s”, Whitney Museum of American Art, New York
“Man Alive”, Jablonka Gallery, Brussels
“Strange Attractors”, Redling Fine Art, Los Angeles |
| 2016 |
“Almanch 16”, Le Consortium, Dijon, France
“Ordinary Pictures”, Walker Art Center, Minneapolis
“Ideologue”, The Utah Museum of Contemporary Art, Salt Lake City
“Champagne Life”, Saatchi Gallery, London
“Not in New York: Carl Solway and Cincinnati: Highlights of 20th century art”,
Cincinnati Art Museum, Cincinnati (US) |
| 2015 |
“Gallery 30 / 130: Thirty Years of Books and Catalogs”, White, Columns, New York
“The Shadow is Taken”, Algus Greenspon, New York, (US)
“The Cack-Up”, Room East, New York
Zabriskie Point, Geneva, Switzerland
“Venganza (I don’t want to be friends)”, Armada, Milan
“20 Years of Collecting”, Zabludowicz Foundation, London
“Toys Redux – On Play and Critique”, Migros Museum, Zurich
“Call and Response”, Gavin Brown’s Enterprise, New York |
| 2014 |
“Portrait de ¾”, Galerie Georges-Philippe & Nathalie Vallois, Paris
“New Hells”, Derek Eller Gallery, New York
“Forever Young”, Galerie Catherine Bastide, Brussels
“Ericka Beckman / Julia Wachtel”, Elizabeth Dee Gallery, New York |
| 2013 |
“Post Culture”, Elizabeth Dee Gallery, New York
“Une odyssée: les 30 ans du frac champagne-ardenne”, FRAC Champagne-Ardenne, Reims
“Selections from Absolut Collection”, Spiritmuseum, Stockholm
“Group Show”, The Artist’s Institute, New York |
| 2012 |
“Remote Control”, Institute for Contemporary Art, London
“Face a Face”, FRAC Poìtou-Charantes, Angoulême, France
“The Old, the New, the Different”, Kunsthalle, Bern, Switzerland |
| 2011 |
“Situation New York 1986”, Art and Public – Cabinet, Geneva, Switzerland
“Group Show”, Vilma Gold Gallery, London |
| 2009 |
“Images et (Re)Presentation”, Le Magasin, Grenoble, Framce
“Group Show”, Gallerie Georges-Philippe & Natalie Vallois, Paris |
| 2004 |
“I am the Walrus”, Cheim & Read Gallery, New York |
| 2001 |
“W Exhibition”, Le Musee des Beaux-Arts, Dole, France |
| 1999 |
“Urban Mythologies: The Bronx Represented Since the 1960s”, The Bronx Museum of the Arts, New York
“Artlovers”, Liverpool Biennial, Liverpool
“Sweet & Sour”, Art & Public, Geneva
“Text & Signifier”, Carl Solway Gallery, Cincinnati
“Absolut Collection”, Louvre, Museum of the Applied Arts, Paris |
| 1998 |
“Weather Everything”, Galerie Für Zeitgenössische Kunst, Leipzig, Germany
“I Love New York”, Edinburgh International Art Festival, Edinburgh College of Art |
| 1996 |
“Can We Talk,” Basilico Fine Arts, New York |
| 1995 |
“Pittura Immedia”, Neue Galerie am Landesmuseum, Graz, Austria
“Peinture, Photo et Cie”, Les rencontres d’Arles, Arles, France |
| 1991 |
“Painting Culture”, Fiction/Non Fiction, New York |
| 1990 |
“Stendahl Syndrome: The Cure”, Andrea Rosen Gallery, New York
“Le Choix des Femmes”, Le Consortium, Dijon, France
“Total Metal”, Simon Watson Gallery, New York
“The Last Laugh”, Massimo Audiello Gallery, New York |
| 1989 |
“Group Show”, Achim Kubinski, Stuttgart, Germany
“The Mirror in Which Two Are Seen as One”, Jersey City Museum, Jersey City
“Simulations”, Rhona Hoffman Gallery, Chicago |
| 1988 |
“Works Concepts Processes Situation Information”, Hans Meyer Gallery, Dusseldorf
“Appropriation and Syntax: The Uses of Photography in Contemporary Art”, The Brooklyn Museum, Brooklyn |
| 1987 |
“Nothing Sacred”, Margo Leavin Gallery, Los Angeles
“Avant-Garde in the Eighties”, Los Angeles County Museum of Art, Los Angeles
“Post-Abstract Abstraction”, The Aldrich Museum of Contemporary Art, Ridgefield
“The Art of the Real”, Galerie Pierre Huber, Geneva
“Romance”, Knight Gallery, Charlotte, North Carolina
“Comic Iconoclasm”, Institute of Contemporary Art, London
“Perverted by Language”, Hillwood Art Gallery, Long Island University/C.W.Post Campus, Greenvale, NY |
| 1986 |
“American Fine Arts Co.”, Colin de Land Fine Art, New York
“When Attitudes Become Form”, Bess Cutler Gallery, New York
“The Ready Made Painted”, Bard College, Annadale-on-Hudson, New York
“Group Show”, Metro Pictures, New York
“Group Show”, Nature Morte Gallery, New York, (US) |
| 1985 |
“Split Vision”, Artists Space, New York
“Persona Non-Grata”, Daniel Newburg Gallery, New York
“Infotainment”, Texas Gallery, Houston, traveled to : Rhona Hoffman Gallery, Chicago, Vanguard Gallery, Philadelphia, Aspen Art Museum, Aspen, De Selby Gallery, Amsterdam, Galerie Montenay Del Sol, Paris
Whitney Biennial, Whitney Museum of American Art, included in “Americana” with Group Material
“East Village”, Saidye Bronfman Centre, Montreal |
| 1984 |
“Neo York: Reported on a Phenomenon”, University Art Museum, University of California at Santa Barbara
“Emblem”, L.A.C.E. Gallery, Los Angeles, US
“Timeline of Intervention in Central America”, Institute for Contemporary Art, P.S. 1, NYC
“Hundreds of Drawings”, Artists Space, New York
“Group Show”, Center Gallery, Bucknell University, Lewisburg
“Contemporary Perspectives”, Sardoni Art Gallery, Wilkes College, Wilkes-Barre |
| 1983 |
“Group Show”, Hallwalls Contemporary Art Center, Buffalo, NY
“Terminal Show/Preparing for War”, Brooklyn
“Revolutionary High Art”, Latino Space, New York |
| 1982 |
“Fifth Anniversary Exhibition”, The Drawing Center, New York |
| 1981 |
“Selections”, Artists Space, New York
“Selections 14”, Drawing Center, New York |
| 1979 |
Film/Audio Installation, Institute for Contemporary Art, P.S.1, Long Island City |
